A Bittersweet Standing Ovation and REVIEW: The Impossible Box

Hi all,

Whew, a rough week of performing...three days in Canada, one in Gettysburg, PA (one of the most picturesque towns I've ever visited) and parts near home in addition to my slowly growing clinical hypnosis client base.

A standing ovation is something I normally cherish, but last night's was bittersweet. I called up the WRONG volunteer during a corporate event but did not realize it til I was well into my handcuff escape....I was doing Anthony Lindan's routine with the red curtain and one of the volunteers kept lowering the curtain, saying inappropriate things and just being an ASS. I somehow got through it without blowing my stack.

The rest of the show went fantastic and at the end of the show, I received a standing ovation. The FIRST person in line (there were many) to shake my hand was the ASS I mentioned. "You were f---ing fantastic!" was his comment. I wanted to punch the guy, but simply accepted the compliment.

The show was my Murder By Magic show, available here at Hocus Pocus. Just to remind everyone, the product will be pulled after December 31st. The way the show is designed, it has a built-in emotional hook that will get the audience on your side and keep them there!

A quick shout-out to my buddy Paul Romhany as he's relocating the family back home. Safe travels, my friend.

Keep your eyes out for new Cris Johnson products after the first of the year! I've got several projects in the works. The first will be the long-awaited "Cause & Effects: Volume 3" a third book of real-world routines...coming soon!!

This week's review is The Impossible Box by Ray Roch. It's available for $25.00 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=19358

AD COPY: The PERFECT walk-about and close-up effect.

Never throw away your old playing cards again. Use them for this amazing routine by Ray Roch.

Effect: The performer brings out six cards and quickly makes a box. The box can then animate in the spectators hand or on a table, the lid then taken off and an object, such as a lemon produced.

This 60 minute DVD goes in to detail with step by step instructions of how to do different loads including large die, a lemon, signed card to box, a small bottle of whiskey, and golf balls. He also shares two methods he uses to make the box animate and float, then produce a ball from the box that floats up in to his hand. This DVD is filled with gems from years of performing and perfecting Ray's signature routine.

The perfect routine for the magician who wants to leave his audience with a gift. Not only can they keep the contents but they also get to keep the box itself.

Ideal for trade shows, walk about, restaurant magicians and promotions.

Now you don't have to throw away your old playing cards - use them to perform The IMPOSSIBLE Box.

You will learn:
How to construct a box and how to put one together quickly
Various loading techniques that happen right under the spectator's nose
Signed Card to Box - a card is signed lost in the deck and later found sealed inside the card box.
Various loads from the box - learn how to produce as many as three different items from the box including golf balls, dice, a lemon, a bottle and more.
Two different methods on floating the box - Ray shares two methods, both of which are easy and can be set up at all times ready to go.
Tips and stories - Secrets that make this effect easy to perform and a few stories from Ray that have happened while performing this over the year.
Ray also shares his complete award winning five minute box routine. This includes all four routines taught on the DVD and put together to form a single five minute close-up show. One box with A LOT of magic. This is perfect for

those who perform in restaurants or are looking for something special and very different to present.

WHAT YOU GET: A very well produced DVD. This is released by Paul Romhany and like everything he puts out, it's TOP notch.

QUALITY OF INSTRUCTION: I found Ray's verbal instruction to be a tad too quickly paced for me. He kinda breezes through some of the explanations. I was a little concerned about this, but Paul provides viewers with slo-mo clips from the magician's viewpoint of various things, particularly the construction of the box and some of the loading procedures. Happily, this makes the learning experience very easy.

DIFFICULTY: Since the crux of the effect is putting together the box in front of your spectators and then doing cool things with the box, you'll need to practice putting it together quickly and smoothly. It's not a difficult procedure, but fumbling and struggling with the box construction certainly won't be fun for the audience to watch so put in the practice to get it into your muscle memory.

The loads and animation are all relatively easy, too. On a scale from one to ten I don't think anything would be harder than a 3.

ANGLES: Some of the loads are easier than others and since this is intended for a walk around performance, all of the angles are something you should be able to work with. The animation/floating part of the routine can be done surrounded, providing your lighting is right, if you get my meaning.:)

VARIETY: Ray teaches viewers how to do several different handlings in terms of producing items from the box and in particular several different themes. In particular he has a routine themed with golf, a routine themed with gambling with different sized dice, etc.

There's also a handling involving making the box animate, floating, and then causing a ball to levitate out of the box. All of the handlings involve building the box in front of the audience and eventually producing things from the box.

It should also be noted that in each handling, you are clean at the end and can really give the box away at the end of the routine...though if you're doing a strolling gig where you visit 20 tables or groups of people in one night (as many restaurant/corporate magicians do) you obviously would be hard pressed to give the box away at every table.

THOUGHTS: There's a LOT I LOVE about this release and only a couple of things I did not care for. First, the positives.

There are a couple of productions that are truly magical - that slo-mo shot in the promo video of the lemon coming out of the box is soooo cool looking and with mutiple handling options, within reach of anyone. There's simply something satisfying about putting the box together and then pulling something out of it.

The box itself, being made of bright white cards with splashes of black and red, is very attractive to the eye. Additionally, I'm certain this would play just wonderfully in a parlor situation. I myself plan on using it in school shows. I wear dark colors, so the white box against the background of my dark clothes will look great. Plus, the animation of the box will look great and very visible, too.

I also love the animation of the box itself, as it looks very magical turning up on it's edges. The idea of the ball floating out of the box is also wonderful.

Ray also provides a signed card to box effect which is nice, too. His handling is attainable and the effect looks great too, but as the signed card to impossible location plot doesn't particularly excite me with any handling, I wasn't too taken for this, but if you like card work, this is another great idea.

Finally, the entire idea of the impossible box is open to so many different presentational possibilities that it's staggering. For instance, just to shoot an idea out there - instead of playing cards, I may use alphabet cards and build the box as I talk to school children about the possibilities opened up by reading skills and producing something thematically relevant out of the box.

The BIGGEST thing I love about this entire release is that it's PRACTICAL. This isn't a pipe dream with severe angle problems like some of the torn & restored card releases I've seen over the years. The Impossible Box is intended for the real world.

Now, just a couple of things I did not care for...

1. I did not care for some of the productions. Like I said, MANY of the handlings look wonderful and the spectators can see the production come out of the box. With some of the other productions, I thought, "Hey, it looks like the item is coming from _____." Turns out I was right.

I don;t consider this a huge problem, though, as the psychology of magic and spectator attention is wayyy different to playing for the camera. Nevertheless, I like the earlier referenced productions better.

2. I did not care for the actual floating of the box. The animation/movement of the box looks great and I'll use it, but as far as actually making the box float, I will quote Eugene Burger - "Less is more."

FINAL RATING: I'm going to give this a 9 out of 10. I did not care for a couple of things, but this release is so incredibly open-ended with possibilities and so practical that this release is going on my "best of" list at the end of the year.

This is advertised as a close-up product (and it rocks) but if you work parlor gigs, I really think this will shine for you, too.

Best,

Cris

New Car, Murder By Magic Countdown, and REVIEW: Five Minutes With a Pocket Handerchief

Howdy!

Whew, after having over 220,000 miles on my car over the last 6 years, I finally buckled and bought a new car this week. My wife & I were both nervous about the car stranding me on the road with so many miles...especially they were all MY miles!! (I bought it new in 2006).

So this week, I rolled out in my nice new 2012 Hyundai Tucson, the steroid-injected version of my old car!! The sucker is incredible...I can talk to it and tell it who to call, tell it verbally where I want to go, etc. Unreal.

Plus, it's sleek and black, but looks bad-ass, kinda like the Christopher Nolan-directed Batman movies Tumbler vehicle. (OK, I'm a nerd!!)

I wanted to also mention that time is running out to buy my Murder By Magic: The Ultimate Corporate Magic Show program. At the end of the year, I will have the team at Hocus Pocus pull the product. I don't want a zillion people doing it. I've sold a dozen or so to multiple countries around the world, which means you're not going to have a ton of competition. In fact, in years past, I booked a ton of corporate Stage Hypnosis gigs, but despite hypnosis being a "bigger deal" than magic to most HR directors, I actually book Murder By Magic more easily because it's so unique and that's what HR directors and corporate booking agents are looking for: something unique!

So, the clock is ticking!!!

On to this week's review....I decided to review an older product: 5 Minutes With a Pocket Handerchief by Quentin Reynolds. It's available for $29.95 from Hocus Pocus.

Here's the link...http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=4867

AD COPY: An entire act that fits in your pocket. Featuring the hilarious Magic Mouse.

Quentin Reynolds is a professional magician whose specialty is children's shows. The routine taught on this DVD/Video is the highlight of his show -- a polished five-minute act which is accomplished with nothing more than an ordinary pocket-handkerchief.

You are treated to a live performance in front of a classroom of children where Quentin brings the kids to a frenzy using this handkerchief routine and the many gags and touches which make it a masterpiece. Following the performance you are taught everything you need to know to perform the act.

The routine is a brisk and upbeat sequence of effects that begins with a stretching handkerchief, a series of knots and culminates with the animation of the Magic Mouse. It is adaptable for most performing situations such as stage, parlor, close-up, walk-around, kids, adults, yet it still fits in your pocket and is very easy to do.

Effects and sequences taught:
The Stretching Hank: A handkerchief is stretched to twice its original size.
The Jumping Hank: A handkerchief repeatedly jumps out of your hands and into the audience.
Karrell Fox's Knifty-Knot: No matter how hard you try to tie a knot in the handkerchief it keeps disintegrating.
Karrell Fox's No Not: You finally make a knot but it magically unties when a spectator blows on it.
Stand-Up Hank: The handkerchief is made to stand on end and fall on command.
The Magic Mouse: The handkerchief is folded into a hat, an iron, an earring, a moustache, and finally into a mouse. The mouse is wound up and begins to wiggle its tail. The mouse seems to come to life as it runs up and down your arm, around your neck, and then leaps into the audience -- making them scream with fright. The mouse's tail is pulled and it turns back into a handkerchief. The handkerchief is folded and put back in your pocket. The act is now completely reset for your next show.
In addition to the above you are also taught: Frank Garcia's Iron Gag, Stewart Judah's Watchwinder Gag, tips from George Sands, Harry Blackstone, Sr., Dan Garrett, Martin Gardner, and tons of jokes, gags, by-play, tidbits, and advice which can only be learned from years of continuous performance. Includes a discussion on making the routine even stronger and much more.

Special DVD Features:
An additional 17 minutes of footage discussing presentational ideas, routine development, how to create your own act, a production finale and more.
Instant access to performances and explanations
DVD trailers
Dolby Digital sound
Encoded for worldwide viewing

WHAT YOU GET: A nicely produced video. My copy was a VHS tape because I bought it years ago. I'm considering upgrading to the DVD for the added material. You'll need to provide your own hanky and watch-winding gimmick.

QUALITY OF DVD: The DVD includes a live performance of Quentin performing the act in a school in front of around 40 children. Their reactions are amazing! The rest pf the DVD is Quentin explaining the routine in painstaking detail. The lighting is good, the explanations crystal clear.

QUALITY OF INSTRUCTION: As I mentioned, Quentin leaves no stone unturned. He really goes into incredible detail for such a simple routine from a technical standpoint. The detail he gives without a doubt shows that he has performed this thousands upon thousands of times. He has this routine ingrained into his DNA and has mastered it.

Quick sidebar...I love the fact that he has mastered this routine in the real world. I hate it when I buy a book or DVD and the creator reveals that a particular routine or effect was developed specifically for their lecture tour! I couldn't care less what magicians think of a routine, only paying audiences.

DIFFICULTY: There are some simple folding procedures you'll have to master as well as some simple vanishing knots. You'll also need to rehearse the movement of the mouse. None of this is particularly difficult, but to master these simple demands while maintaining a performing pace will take time. It's not hard, but put some work into a killer 5 minute act and you'll be rewarded in spades!

ANGLES: No problems at all - do it surrounded!!

AGE LEVELS: Quentin says, in addition to parlor/stage kid shows that he sometimes uses this in strolling performances for families. Personally, I feel it shines best in front of kids in a parlor setting. I have used it for audiences up to 100 kids, providing they are close to me and it just kills. In terms of ages, I find it works best for younger children, ages 4-7, so for me I use it most often in child care/daycare shows where it's been the backbone of my act for 8 years.

MY THOUGHTS: This routine is absolutely priceless. If Quentin ever puts out an extensive kids' show course, I'd buy it in an instant. This man KNOWS kids. The routine is funny, with plenty of kid humor and visual gags and when the "mouse comes to life," it generates huge belly laughs and screams that it's an amazing thing to see and experience as a performer.

Quentin understands that kids like to laugh and that 'amazing' magic is really secondary for younger children. The lessons to be learned in this video are legon for the budding kids show performer.

This is an amazing value and receives my highest recommendation. I should also mention that I chose to review this particular product as a way to remind all magicians to explore older products...not just the new stuff.

I still can't believe the reactions this gets...all from a simple hanky.

I should also mention that while I LOVE the watch winding gag and gimmick Quentin uses, when I originally bought the tape I could not find such a gimmick anywhere so I changed the routine and use a squeaker gimmick (usually I just steal one from one of my dog's well-worn doggie toys) and use a squeaker sound instead of the watch winder. If you can find the watch winder gimmick, by all means, use it - the gasps of amazement from the kids is priceless.

OVERALL RATING: This is or should be considered a kids show classic and I can't praise it enough. A perfect 10 out of 10. It simply does not get any better than this.

NEXT WEEK: The latest review of the stellar Paul Romhany booklet series!

Best,

Cris Johnson

My Little Dogs, The Impossible Box and REVIEW: Mes(s)merize

Hi All,

Crazy busy this week. Isn't that how I start all my blog entries??

I do have to say, however, that most of November involves me working fairly close to home, which is great for my relationship with my family: namely my wife and our two little dogs, Frodo & Sophie. Frodo is a 17-lb "cock-a-poo" and Sophie is an 8=lb Bichon, but my friend Rodney said she looks like a cross between a hamster and a poodle, so my wife & I call Sophie our "hoodle!" They've missed me and it's great to spend time with them - the hoodle is stepping on my keyboard.:)

My buddy Paul Romhany sent me a couple of video clips of his new Impossible Box release that his associate has been performing for a looooooong time. This baby looks like one of the best new releases of 2011 in my eyes. Check out Paul's blog to check out the video. (And this looks like a real-world worker as I'm guessing those arm chair magicians from "that forum" will whine and cry, but I think the presentational possibilities are endless!)

On to the review....Mes(s)merize!

Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18288

It's available for $30 from Hocus Pocus.

AD COPY: An impossible prediction effect

A clear wine glass is seen on a table center stage, containing a black envelope with a prediction. The spectators are asked to concentrate on a single thought, write it down on a card and seal it in an opaque envelope. At your command, they all throw their envelopes onto the stage. A random spectator selects any one of the envelopes (again: NO force!). Let's assume the thought inside reads "ICECREAM". She removes the prediction from the glass and opens it. She reads the prediction out loud: it matches the freely selected thought!

Now for the FINAL kicker: The lady is asked to open up the crumpled paper ball that was used to randomly selected her as a volunteer. It reads: "Tonight, a beautiful lady called Annie will thing of ICECREAM!"

*The spectator is randomly selected
*No switch of the paper ball
*No stooges
*No secret Assistants
*No pre-show
*No fumbling
*No sleeving
*No electronics
*They can really write down any thought
*The other envelopes all contain different words
*Spectator opens and reads the prediction herself
*Prediction and envelope, both are completely unprepared

"Brilliant and clever indeed... this gentleman has forged a total masterpiece."
- Larry Becker

"I think it's terrific prediction, and I love the final punch-finish. Clever and very practical."
- Peter Duffie

"It's perfect. The method is wonderfully simple and direct and I image it plays extremely well. I give it my highest recommendation."
- Sean Waters

"Brilliant, yet, simple, the only way to do it."
- Marc Salem

Pages: 42 - Saddle Stitched

WHAT YOU RECEIVE: a 42-page, saddle stitched booklet.

QUALITY: Very good, here. There are plenty of photos to assist the learner and the instructions are clearly written. You'll have no problem understanding the mechanics of the effect.

ANGLES: Quite good. You can do this in living rooms, on stage or parlor situations.

DIFFICULTY: This effect primarily relies on a very simple move that is properly motivated by good blocking. Stefan has thought this through.

MY THOUGHTS: I like this but I don't love this. When thinking about the impossibility of the ad copy, the fact that the spectators really do write down any thought, the fact that there's no pre-show. etc, and most of that is true, the fact is that the "prediction" envelope being claimed as not being prepared is not entirely true. To be sure, the preparation is not hard and only takes a few moments, and therefore can almost be done at a moment's notice.

All of this is juicy for a good effect and the visual of the audience flinging their envelopes at the performer is very appealing to me in terms of theatricality.

This is all good stuff for the main prediction effect, now let's move for a moment to the kicker part of the effect, the bit where the ball of paper describes the revelation as well as the name of the randomly selected volunteer.

The kicker's method actually has TWO methods. The first is a gutsy, ballsy classic "method" of mentalism that many pros will recognize and embrace. It's also a method that magicians looking to add a mental flavor to their acts will likely reject as being, in Eugene Burger's words, "Not very interesting." It's a reliable method that requires intestinal fortitude.

The second method is something that Stefan refers you to another source, which I always find a little annoying.

He also includes several bonus ideas and routine frames to get your creative juices flowing and this is nice.

FINAL THOUGHTS: There's not a lot I can talk about in this review about the product without tipping the work. The method for the "main" revelation is rock-solid while the method for the kicker is something I'm guessing many will reject. the idea of referring the reader to another source may turn off some readers. Still, the routine has that great visual of all the envelopes being thrown on stage and the elegant simplicity of the glass with the prediction envelope will look great in terms of staging.

I think this is a good effect, worth consideration. I'll give this a 7.5 out of 10.

Until next time...

Best,

Cris

A Very SPECIAL Review and REVIEW: Touch of Glass

Hey everyone,

Cris Johnson here...writing to you from our new salon / hypnosis clinic! We've got the floors in, most of the equipment piled up, etc. We have to paint and put together the equipment. I believe we've got about three weeks of stuff to go.

This week, I'm going to break from the typical format and post two reviews...one item from Hocus Pocus and another from the magic of Puck!

The item from Puck is only currently being offered from Puck's website - www.puckmagic.com/products.htm - and it's pretty awesome, called "Shoe Business." It retails for $85.00.

EFFECT: You call the "Practical Joke Hotline" on speaker phone to teach the audience a funny gag. You make a mistake following the instructions and inadvertently fill a spectators shoe with a bottle of liquid. This six minutes of comedy is virtually self working as all you do is follow the audio instructions like the old Vanishing Bandana Trick. What makes this routine so great is the tremendous amount of built in laughs as well as a surprise magical finish that really fools the audience. This is a fresh and modern take on the " Magician in Trouble " premise.

WHAT YOU RECEIVE: Two gimmicked cups, a 'cell phone,' the audio CD, the DVD with performance and explanation, and written instructions.

QUALITY OF INSTRUCTION: This product is a joint venture between Puck and Scott Alexander. Scott is the one on-camera performing and explaining everything. If you're familiar with Scott's other releases, you know Scott does a phenomenal job explaining things and this is no different. What's nice about this is not only does Scott explain things well in terms of the work but he also explains how to make more gimmicked cups.

QUALITY OF PROPS: As mentioned before, the cups are simple plastic cups easily made, which is nice because if all you have on you is your music (the audio track), you can easily put this effect together and have an instant 6 minutes of fun. The cell phone is a simple toy prop, but the real value of this routine is the audio CD and the script, and here's where this release shines.

DIFFICULTY: This is one of those releases that is almost self-working. There's some practice involved as far as loading the shoe and some work in terms of rehearsal (to fine-tune your acting as you listen to the CD), but it's all relatively easy, maybe a 2 out of 10 at the most.

MY THOUGHTS: I'd rate this so far as one of the best effects to come out in the last 12 months. It was really released late last year, but since I got it in 2011, I'll consider this one of the top releases of the year.

This is so strong because it's so funny, and it's a nice variation of the Vanishing Bandana, which, strong as it is, is so widely performed that I've avoided it. Shoe Business is a twist on an old classic and I can see myself using this a LOT because it's the classic Magician in Trouble plot, which audiences of all ages respond very well to.

A 10 out of 10 and so far for 2011, my TOP pick. I know I do not usually review stuff outside of Hocus Pocus, but this was so damn good that I had to post my thoughts.:)

Now, back to the usual Hocus Pocus review...this week it's A Touch of Glass by Peter Loughran. It's available at Hocus Pocus for $54.95. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=12708http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=12708

EFFECT: Sample Effect 1 - The performer introduces a small piece of tissue paper and draws a picture of a bottle on to it with a marker. The paper is now lit on fire, and suddenly a real full size 750 ml glass bottle of wine begins to materialize from the neck down, until the entire bottle has appeared! It looks like REAL MAGIC or a HOLLYWOOD SPECIAL EFFECT!

Sample Effect 2 - The performer introduces a wine glass with silk filling the inside of the glass, proving that nothing can be hidden inside the silk. His jacket, vest or over shirt is shown empty, and his sleeves are rolled up. The silk is removed and shown empty, the silk is gathered up and a real full size 750 ml glass bottle of wine instantly appears!

WHAT YOU RECEIVE: Several gimmicks designed to work in a variety of ways to keep the bottle (yes, it's a real bottle) safe & secure until you're ready to produce it. You also receive written instructions.

QUALITY OF INSTRUCTION: Peter does a fine job of explaining the different effects that you can do with the system. I was able to understand the concepts easily, which is nice, because in past years, I've gravitated toward learning magic off of DVDs.

ANGLES: The effect is covered fairly well from parlor or stage but I would not presume to do this in a close-up situation. The fire production (both versions) are more angle-sensitive but the production from a silk covers you well.

DIFFICULTY: I'm still blown away after learning the effect and going back and watching Peter perform the effect on his demo video. Peter makes it look like real magic and it looks so smooth.

I've been working with the effect for a while and I feel as though this effect is sort of like dove steals - it takes 'tinkering' to get it just right. I remember when I was learning my dove act years ago, it took me a great deal of time to fine-tune everything, from how the dove fit next to my body without bulging through my jacket, the exact position inside the jacket of the dove pocket, etc.

I found the fire production to be exceedingly difficult in terms of timing, as flash paper burns very quickly and while I found Peter's suggestion of how to 'modify' the flash paper to make the effect easier a good thing, overall that particular effect was one I set aside for the time being as I went through $10 of flash paper in about 5 minutes of practice and had no progress to show for it.

I switched to the silk production and found that to be a better choice for me. The handling is very similar but you're not fighting against the speed of the fire.

The bottom line is this - this effect is much the same way in terms of my own experience with dove productions - it's coming along, but it will take time. I'll rate the difficulty as a 7 out of 10. While there is no back-breaking sleight of hand, the timing, components of the productions system and tinkering with getting the hidden bottle to rest in the right spot according to your body type means that in my opinion, this will take practice, but it's worth it.

MY THOUGHTS: This REALLY looks fantastic when you do it well, as Peter does. It takes some work and tinkering to make it 'fit' you, but the components that work with the bottle are well made and I feel Peter has a winner here.

I also appreciate the fact that Peter gives you different options in terms of effect. Rather than being a one-off, you've got different possibilities and I can also see the creative performer using this 'system' to produce other objects as well. I give this a solid 8 out of 10 - rehearse and put in the time and you've got a beautiful effect.

NEXT WEEK: I review The Moment by Christopher Taylor.

Best,

Cris Johnson

Lease to Hypnotize and REVIEW: Retro-Gravity by Devin Knight

Hey everyone,

I'm going to get right into things this week as I've been CRAZY busy with school shows and getting our building opened.

As I alluded to last week, my wife and I were working on getting a building for her salon and my hypnosis clinic...well, I'm delighted to report that we have signed a lease and are moving forward!

This is a truly exciting time for us. Most of this was prompted by the fact that I am simply on the road too much and need to scale back. The money's great, but life on the road is very lonely. I have no desire to stop performing...far from it, as magic has always been very good to me, but with this new venture, I'll have the freedom to choose the gigs I want to do...which, coincidentally, is the subject of next month's "Cause & Effects" ezine.:) Sign up for free by emailing me at crisjohnsoninfo@verizon.net.

Anyway, I've started seeing clients for issues such as weight loss and smoking cessation and the biggest difference is realizing, programming myself to realize, that I'm not performing for them but working to help them.

The look in their eyes communicates that they trust me to help them. It's an exciting journey, watching them progress through the session. I'll keep you updated.:)

This week's review is Retro-Gravity by Devin Knight. It's available for $39.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=15075

EFFECTS: Retro-Gravity allows you to levitate 2 to 4 inches in the air. It is a special gimmick you attach to your shoe and once done is completely invisible. Any time you wear your shoes, you are ready to levitate. Anywhere, anytime under any conditions! This means you can walk around in a restaurant, party or out door festival and levitate over and over at will. No special pants, jackets or special clothing are required.

I mention "effects" with an "s" because there are different variations of the basic effect, but I'll get to that later.

WHAT YOU RECEIVE: You receive a comb bound manuscript that goes into a great deal of detail with photographs, history, variations and much more.

MY THOUGHTS: I'm cutting to the chase with this review because this will be one of the effects I won't be performing. It's nothing against this effect, it's just that it's a close up effect and the only time I could see myself using this is when people ask, "Can you float like that guy on TV?" and if I say "yes," people are not going to be as surprised and they'll be looking for gimmicks. I just don't do any close up.

Now, the basic effect itself is similar to a lot of other street/close-up self levitations on the market in terms of how it looks....in other words, you go up a couple of inches with your feet together and you back down.

The advantage here is there are no reels or gimmicks to ditch...there is a gimmick, but it's hidden in plain sight. Literally, before you levitate, people can burn you all they want and they won't find anything. That is a real strong point.

Once you 'get into' the levitation, it's like many others in that the best angles are straight on, close up. The levitation, when in play, doesn't seem to have angles much better than other methods. They're not bad, just not a break through in terms of angles. I'd say the angles are similar to Peter Loughran's "Elevator," which has enjoyed tremendous popularity since its release.

The main issue with many of these self levs is the concern of balance. Having read the manuscript, my feeling, having not tried it out, is that the balance will be similar to the "Elevator," but one huge advantage of Retro-Gravity is that you can build two gimmicks, one in each shoe, which would aid you tremendously.

Again, the biggest advantage here is the fact that the gimmicks are hidden in plain sight and the 'get ready' takes only a second or two and does not involve use of your hands at all.

The disadvantage is you're only going up a couple of inches, depending on your gimmicks. I think what most magicians are looking for is a self lev with a foot or so rise, which is possible with close up self levs such as that Criss Angel one which has truly horrid angles.

To give Devin his true, his method is about the cleanest I've encountered in terms of get ready, reset and other considerations. Also, Devin does a superior job of explaining everything. His writing style is easy to read and informative - his words flow, and the addition of photographs makes me believe even I could build it...and I hate building my own props.:)

Oh, that's another consideration - you'll need to do a bit of arts and crafts stuff, but as I said, that part is exceedingly easy. I'll give the basic method a solid 7 out of 10.

Now, onto a few misc things in the manuscript...

ROTATION: I'm sorry, but I have yet to see any of these self levs successfully pull off the rotation-in-mid-air effect. To me, it looks hokey. I will freely admit there may be people out there who get great reactions, but I think it looks horrible and if I myself don't like an effect, no way can I 'sell' it to my audiences. If it works for you, that's great. I sincerely applaud you.

THE NEWSPAPER: This the levitation where you float in the air over a sheet of newspaper and someone can pull the newspaper away, "proving" there's nothing supporting you.

This is a cute idea, but I hate to burst everyone's bubble, but this is ONLY appropriate for photo ops and newspaper interviews, TV spots, etc. It's a neat effect that utilizes an older-than-dirt-but-still-awesome principle. The limitation of this method is that you need absolute control over lighting, spectator positions, etc, etc, etc.

Again, for the right situation, it's an absolutely terrific idea, but this is NOT something you can just walk up to someone and do.

There are other self levs described so the value of this booklet is good for anyone who wants to experiment with a few of the more off-beat methods presented.

My only quibble is something I mentioned at the start: the idea of someone asking you to float like the guy on TV. Once you say "yes" and get into the effect, people are going to be 'burning' you, so spectator management and more specifically, blocking, is going to be an issue. Again, you CAN levitate upon request, but know that like many self levs, you need to really restrict people's movements, position, etc.

Recommended for experienced magicians. Once again, the overall score for me is a solid 7 out of 10. It's a rock-solid value, but is not the "holy grail" we're all searching for in terms of close up self levs. To be fair, Devin never claims it is, either.

NEXT WEEK: Redonkulus by Anthony Lindan. His "Incredible Suit Jacket Escape" was my personal favorite new effect I bought last year, so I'm really excited to get into this!

Best,

Cris Johnson

HUGE Announcement & REVIEW: Artist's Dream By Paul Romhany

Hey, everyone!

Strap in tight and make yourselves comfortable because today's blog will be longer than usual because I have a LOT to say and I'm making a big announcement! That's right, no "wait for 21 days," no count down, nothing. It's been something I've been considering for (literally) years now.

Before I get to that, I want to thank everyone for their kind comments on my past issue of "Cause & Effects," in which I introduced a way to 'zero in' on your audiences and connect with them in ways that had nothing to do with magic. Fun stuff! Signing up for the monthly ezine is FREE by emailing me at crisjohnsoninfo@verizon.net.

Second quick announcement (before the big one) is that I have a lot of stuff I'm looking to find a home for in regards to magic. Shoot me an email at crisjohnsoninfo@verizon.net and I'll send you the list of goodies I'm getting rid of. Most of it is DVDs and smaller effects - stuff I've been intending to work on for years and never got around to it. It's all great stuff, but I just want to focus my efforts. I'm only adding three things to my set lists this year - two are Paul Romhany products (one is this week's review) and the third is a custom prop Nick Wenger is building for me. No unreasonable offer for this stuff will be refused as I just want to clear space.

OK, here's the big announcement...

This summer, I am hosting a special weekend seminar/training/pow-wow EXCLUSIVELY on the subject of performing in schools. First, let me make my case as to why schools are one of the BEST markets out there, then secondly, why I'm even doing this, and finally, I'll give you the dates, details, etc.

First, I've been a school guy for 15 years and a school specialist for about the last 10 years. I'm going to talk about my experiences here, NOT to brag (because there's a ton of people out there making a LOT more money than me) but merely to back up what I'm claiming.

For the last eight years, my business has seen incredible growth that I attribute mostly to school shows being so stable. When the US economy went into the toilet a couple of years ago, my income was going up each year, with 2010 being my best year ever, and this was after several conversations with corporate guys and most told me their businesses dropped out badly. (I'm sure many others did great - I'm just talking about the ones I spoke with.)

Anyway, schools will always have grant/PTA/other sources of funding.

Now here's why I'm offering this training...I'm very serious when I say that I want to stay home more often. The hypnosis training I talked about last week was really an incredible experience and while I have ZERO plans to end my performing career, I also do want to start using hypnosis to help people. That means less time on the road...more time with Wifey and our two doggies, Frodo & Sophie.

Another reason is...and this may sound corny, but I really want to pass on what I learned over the years. Quite frankly, there are a lot of BAD magicians out there working for money. School shows are incredibly fun, but if more and more bad magicians keep mucking it up, it's going to hurt the market.

I want school shows to be my legacy. There are roughly a zillion schools in the US and Canada and zillions more in other countries, so I know the work can be out there and since I can't do it all, I want to educate those looking to get in to the market so they do it the RIGHT way.

Here's just some of what I'm going to cover in this live event:

- blocking on stage
- Stage equipment to "fill" the stage
- The challenges it took me years to learn
- The BIG argument AGAINST "pack flat, play big"
- performance material for stage
- who's who in schools...and why it matters
- payment issues
- Show structure
- Openers & closers
- Humor: Do's & Don't's
- costuming
- subject matter for educational shows
- PA systems
- Grade levels and why it affects your shows
- Tricks to avoid
- Working with teachers
- Working for Parent-Teacher groups
- Fundraising
- The "business" side: contracts, W-9's (in the US) and more
- how to work with kids in schools
- several critical things you must NOT do in schools
- The language of schools
- Travel
- Character Education topics
- How to GET the gigs
- Handling phone calls (NOT cold calling)
- Referral programs
- Working with districts (and why it's awesome)
- Fees
- What you MUST include on your demo video
- What you must NOT include on your demo video
- Promo Packages - what to include, what not to include
- A really slick thing to give to your clients
- How to get your clients to book shows for you!!!
- To Discount or Not to Discount
- Vendor numbers, PO numbers and other headaches
- Phone message advice for answering machines
- Microphones
- School sound systems
- A super source for FREE lists of schools!!!!!!!
- Direct mail letters
- Direct mail postcards
- Insurance
- School policies
- Generating leads online
- Key website advice
- Key email advice
- Different performing scenarios you can expect in schools
- Why the phys ed teacher must be your friend!
- Maximum length for set-up/break-down and why it's so important!
- Maximizing your day
- Back-to-Back daytime assemblies
- A sneaky way to get killer testimonial letters
- The mindsets of the 'key players' in schools
- What clients REALLY want (but they never tell you)
- Tax Deductions (US workers)
- Show introductions
- Music for your shows
- The most CRITICAL thing you MUST do during EACH AND EVERY school show!
- The mindset of kids in schools and why 400 kids in a school are so much easier than 10-15 kids at a birthday party
- US performers working in Canada (This is huge! As a US citizen, I work legally in Canada and pay NO GST taxes, require ZERO work permits, etc. I lay it all out for US performers wanting to perform in Canada and what you can and canNOT do)

That's just for STARTERS, right off the top of my head of some of the key topics. In short, you will understand all aspects of performing in schools, you will understand all aspects of working in schools, the business side, and I will share a TON of booking secrets I've NEVER shared anywhere. (And I do ZERO cold calling!)

This is going to be an incredible, eye-opening weekend into one of the most stable markets in magic.

The School Magic Summit will be held in Niagara Falls, NY from July 15- 17th. July 15 and 16 will be the business side of schools, marketing etc for primary or elementary school shows, roughly grades K-6, although I will touch upon some aspects of private/charter schools where often the grades are K-8 or PreK - 8.

The third day, July 17th, will focus entirely on performing in high schools, grades 9-12 typically. In other words, teens.

Because I know not everyone wants to perform for teens, I've decided to let you choose. The investment for the two-day main Summit (July 15 & 16) will be $995. If you want to attend the July 17 high school day, the total fee will be $1295.

"But That's Not All!"

To make it more enticing, everyone attending will receive the following three bonuses:

"The Perfect Way To End Children's Shows!" - Retail Value: $97.00. This is CRITICAL for school work. Here's the product link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=12136

"How To Make $1000 in ONE Magic Show" - Retail Value: $179.95. I've been using this for years and it rocks...and it's designed primarily for school show performers! Link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=12457

"How To Make A Ton Of Money Performing In Schools" - Retail Value: $299.95. The title says it all, and while I get into a great deal more detail at the Summit, including online work, this system really blows the lid off of the school market...and I hand you THREE of my best-selling school shows. The link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=9533

These three courses total over $550 in retail value (and my stuff never goes on sale!) so over half of the investment is covered in FREE stuff!

In addition, you'll get a great big fat workbook that we'll spend the time going through. You can also ask me tons of questions after each session and pick my brain clean.

Oh, and this is super-important: I am NOT lining up a ton of guest speakers who are going to "pitch" you on their latest product. This is all about me giving you information. A fellow school performer friend of mine may come up to assist me as he's been in the game a LONG time too (plus he builds the BEST performing tables!)

To get further information, email me at crisjohnsoninfo@verizon.net. I'm limiting the class to just 20 attendees so I can really focus and answer any questions. Act fast, because I don't offer classes like this and do not know if I'll do another one. I'm willing to pass along 15 years' experience and help anyone who wants it.

Now, on to this week's review...Artists' Dream by Paul Romhany. It's available for $495. Here's the Hocus Pocus link:http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=7325

ROUTINE: The magician gets a volunteer onstage and into a chair. After several comedy drawing 'renditions' of the volunteers, the magician gives the volunteer a glass of milk to drink. After the milk is all gone, the magician holds the glass up to the volunteer's mouth...when the milk is promptly dumped back into the glass! After prodding by the magician, the volunteer drinks it again...and the milk is 'poured' out of the volunteer's ears!

WHAT YOU GET: An extremely well-made glass gimmick that is durable and made to last. I know Paul travels a ton, so he wants this to last. You also receive the comedic drawings in vinyl, so they'll last. You receive a DVD with NINE different performances as well as an audio CD with custom music on it.

QUALITY: Like I said earlier, this stuff is built to last. Kudos to Paul for putting out tough, durable props. Looking at the glass gimmick, I can only wonder what a pain in the butt it is to get this made! I especially love the custom music for the routine. So much of the royalty-free music out there just sounds bad to me, but this CD is great. The first time I saw the trailer, I thought, "I hope that's the music included with the set." It's whimsical, fun and most importantly sounds like real music. No offense to the composers of past custom music tracks for magicians, but I just didn't care for most of what I've heard that's royalty-free.

DIFFICULTY: This is an extremely simple routine and if you perform it as Paul does (silently) you needn't say a word, so literally the only 'tough' part of the routine is blocking! An easy 1 out of 10.

INSTRUCTION: While this routine is dead-easy, Paul still does a thorough job of walking you through the routine as well as a few additional gags and ideas to make the routine even stronger. I can't think of a single thing that he left out. The fact that the routine is so easy to do would have led any number of other people to phone it in when it came to the instructions but not Paul. I really appreciate the fact that he put NINE different performances on the DVD. For someone like me who always wonders, "Will this play in the real world?" This question was clearly answered by Paul's live performances. Well done. 10 out of 10.

ANGLES: This is a stage piece and the 'secret' to the drink trick part might be revealed if your audience is too close, so I recommend this from stage only, a distance of 5 feet or so from the front row. As for angles themselves, you could probably do this surrounded.

MARKET: I believe this is such a strong routine for families and adult shows because it's an interactive routine. The drawings might go over some kids' heads, so I probably will not be using this for daycares/child care centers, but this will go right into my school shows, particularly my family night shows.

MY THOUGHTS: If you've seen the trailer, you know most of the routine, so in that regard, kudos to Paul for letting prospective buyers know what they're receiving. I can see some people looking at this and thinking, "well, that doesn't look all that amazing," and perhaps it's not a mindblower, but it's certainly a worker for the real world. Paul told me that this is his favorite thing to perform out of everything he does and I can see why.

This is comedy, a series of sight gags, and I can see audiences being totally charmed by this. In some ways, this may be a product that working pros, seasoned by years of earning their keep in the trenches, appreciating such a routine, knowing it's been fine-tuned by a pro who earns it each night from a different audience.

I can also see someone relatively new to magic seeing this and thinking, "Well, that's not nearly as amazing as --INSERT TRICK HERE."

As I get older, I continually re-evaluate my magic and what I keep in my acts and what I toss, and more and more, I'm going for the fun stuff. Although I certainly want to keep the secrets of magic as secrets to my audiences, my first duty is to entertain the audience and therefore, to me, this routine is a no-brainer. I'm giving it a 10 out of 10.

Next Week: Paul Romhany Month concludes with Dream Prediction Lite.

Upcoming Weeks: The Nomad Pad, Retro-Gravity, Get Nyman DVDs, Larry Becker's Russian Roulette and more!

Til next time....

Best,

Cris Johnson

Bill Abbott's Ass & REVIEW: Diary of Decision by Doc Dixon

Hey everyone,

A very exhausted Cris Johnson here...I'm in Illinoise for a week's worth of schools and wouldn't you know it - I'm sick! I chalk it up to the horrific winter in the Northeast.

Before I get to this week's review, I gotta tell ya, I continue to be delighted by the feedback my "Clear View Airborne" receives. Here's what a recent client said in an email to Hocus Pocus:

"I am extremely pleased with not only the product itself, and the time that went into it and producing the instructional material, but also with your shop and your customer service. I will highly recommend you to others that I talk with regarding magic!"

- Doug Follett

Check out Clear View Airborne here: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=13716

I also want to share a funny story...this past Friday, my friend Bill Abbott performed a public show in Toronto, On, about 2 hours from where I live. I've never seen Bill perform, and he doesn't do public shows very often at all, so I was really excited.

Well, the venue was very TIGHT in terms of space, but my wife and I had seats right in front of Bill's performing area. I said hi to Bill and let him prepare. I went back to my table where I was surprised to see Anthony Lindan (of Incredible Suit Jacket fame) sitting. We chatted for a while and really got along.

Bill starts his show and it's going great - Bill's one of the funniest ad-libbers I've ever seen and his handling of the tough venue is a master class in how to handle less than ideal conditions.

During his third piece, Bill calls up 5 guys and has them line up. He wanted to do a 'reading' of each and to do so, he had to turn his back to the audience and back up. Seeing as how his butt would be in my view, Bill asks me, "Do you mind?" I chirped, "No, great!" which got a funny response from Bill.

Seeing as how things were so tight, I decided to give Bill an 'out,' so under my breath, I said, "Don't you want to sit on Santa's lap?" I don't know if Bill heard me or not, but he grabbed another guy's jacket and draped it over my lap and said, loudly so the audience could hear, "I just don't know where you've been," and sure enough he sat on my lap for the duration of his 'reading' of the 5 guys.

As I said, he may have been planning it all along, but boy, was that ever funny! The rest of the show was just sensational, with strong magic and even stronger comedy.

THIS WEEK'S REVIEW: I'm reviewing Doc Dixon's Diary of Decision. It's available for $39.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=14812

EFFECT: For centuries we've said playing cards - even a single playing card - could reveal a person's innermost thoughts. Now you can prove it! You explain to your participant that playing cards can actually reveal how a person feels about life's biggest metaphysical questions. You offer to prove it.

She removes a card from a deck and places it aside. You ask her five questions of a metaphysical/afterlife nature, including, "Do you believe in destiny? Do you believe in ghosts?" etc. And a fifth question entirely of her choosing and creation. She picks up the Diary of Decision, an artistically crafted hard bound book with a gold foil embossed cover. The book has a personal thought profile for each card of the deck, including answers to the five questions. She turns to the profile for her card. The profile matches her first answer. The profile matches her second answer. The profile matches her third answer. The profile matches her fourth answer. And it even matches the answer of the question she created herself!

WHAT YOU GET: You receive the diary itself and quite honestly, the picture in the ad does not do this justice. I know that props do not 'make' an act, but a beautiful prop certainly cannot hurt. This book is gorgeous! The biggest question I have for Doc is how in the world he is able to release this for such a reasonable price?

You also receive an instructional DVD where Doc outlines the routine, the workings, alternate routines, sleight-free options and much more. You also get a glimpse of Doc's wonderful sense of humor as he corrects a very minor mistake in the DVD in a very amusing fashion.

Additionally, you also receive one gimmicked card necessary for the traditional handling.

VENUES: I think this would play well for stage, parlor and closeup for adults only. I don't see this as a kids' effect at all, but that's just me. The closeup performance, in my opinion, would work best in a casual setting. Most of the closeup performances I do are corporate holiday parties and there is drinking, noise, food, etc. Also, the client expects me to hit as many groups or tables as fast as possible and the Diary routine is longer from a duration standpoint.

That being said, if you've got a closeup gig and the client promised 100 people would get there and instead, 40 people are there....and you're expected to fill 90 minutes going from table to table, this would work well.:)

In terms of parlor or stage, Doc outlines a few differences to make the routine ;play' depending on venue.

ANGLES: There's a bit of sleight of hand involved, so you wouldn't want anyone directly under you, but other than that, this is pretty tight in terms of angles. The diary itself can be freely handled.

DIFFICULTY: There's a very, very minor bit of sleight of hand involved, including a basic, foundational sleight found in many beginning magic books...nevertheless, I find myself completely inept at doing it.:) There's also a sleight-free version, so you're covered. the sleight version I'd rate at a 2 or 3 out of 10 in terms of difficulty and the sleight-free version is a 1 out of 10 in terms of difficulty.

With the 'sleight' discussion out of the way, I do have to mention that there is a tiny, iddy-biddy bit of math involved. DON'T let that dissuade you from this, as initially I was horrified by the idea of math in the routine but the math is SO easy that I was able to do it right along with Doc before he even finished walking through it. EASY stuff.

MY THOUGHTS: This is a beautiful routine that allows you to really connect with your volunteer. Additionally, because you're asking questions about ghosts, destiny and so forth, you're instantly going to captivate your audience. I can't imagine any adult audience not being drawn into this plot.

Doc has created a winner here and I can't recommend it highly enough....and I'm not even a card guy! That brings me to another strong point - Doc does not play this as a card effect, instead playing it as a fortune telling type of routine, which only adds to the power.

A perfect 10 out of 10.

Next week start my Paul Romhany Month of reviews! I know that this week was supposed to be a review of a Peter Loughran product, but that will have to wait.

Best,

Cris Johnson

Mad Scientist by Peter Loughran

Hey everybody, Cris Johnson here with more magic & fun!

A few housekkeeping notes...folks continue to sign up for my "Cause & Effects" monthly newsletter. Next month's issue will be a good one as I debunk the narrow-minded belief that many "old school" people have that the "only" way to learn magic is by reading books. I have no problem with reading books, but as soon as a group of people arrogantly say that the only way to do something, well, it bugs me, so the next issue of the ezine will use scientific fact to explain why there is no perfect way for all people to learn. It's going to be great! Sign ups are free by emailing me at crisjohnsoninfo@verizon.net.

Also, someone who purchased my Clear-View Airborne emailed to let me know that he was able to get it on his carry-on luggage when he flew to a gig. I've never tried it myself as I assumed the good folks at TSA would frown upon the little hook that most Airbornes use. This was indeed good news to me so if you've always wanted to take Airborne on a flight, you can. You can check out my Clear-View Airborne right here: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=13716

On to this week's review: It's the Mad Scientist by Peter Loughran. It's available for $350 at Hocus Pocus. Here's the ad copy: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=12960

EFFECT: The performer brings out a thin and sleek carrying tray with a large test tube resting on it on one side and a second test tube on the other side but elevated off the tray on its own mini stand. The performer introduces a handkerchief or silk and places it inside one of the test tubes, and explains that he has the ability to change and manipulate the molecules and properties of certain objects and can make them teleport short distances. He will demonstrate his Mad Scientist powers for all to see.

The performer places a large playing card in front of both test tubes and explains that the silk will teleport on his queue from one test tube to the other one that is elevated off the tray with a clear view underneath the thin mini stand. The performer makes a magical gesture and says that the silk has indeed teleported and he will prove it by checking the tubes himself. He looks down and says "Yep it has indeed teleported to the other test tube. But the hard part is to make them go back." He makes a magical gesture and this time removes the cards to show that the silk is back in its original place. The audience screams to see it again but this time they want him to remove the card.

The performer does just this, he throws away one of the cards, and places the other one in front of the test tube containing the silk and then says he will make the silk teleport once again. He then picks up the card but also secretly picks up the silk so it is hidden behind the playing card, and places it in front of the other test tube that is resting on the mini stand. He secretly places the silk into this test tube and immediately removes the card. They audience screams that they know how he did it. This time they want to see done with no cover at all.

The performer obliges but tells his audience that they better not blink or they will miss it. He makes a magical gesture and sure enough this time, the silk VISIBLY vanishes from one tube and INSTANTLY re-appears in the other tube which is isolated off the tray on its own stand. STUNNING VISUAL MAGIC, and a great sucker effect. This illusion is perfect for kids and adults alike. A guaranteed hit at your next show!

WHAT YOU RECEIVE: The thin carrying tray that gimmicked up the wa-zoo, two clear tubes, a separate little stand so one tube is elevated, making the teleportation more mystifying, written instructions and 2 identical silks.

QUALITY OF PROPS: The gimmicked tray looks like it's a pain in the rear to put together but happily, it's put together WELL. Peter puts out quality material and this is no different. The plastic tubes are thick and strong and look like you could throw them off a roof. That being said, I wrap mine in cloth to prevent scratches. Great props.

QUALITY OF INSTRUCTION: The written instructions, several pages long, are well-written so the effect is easy to understand. There are some grammatical errors, but I'm sure not the person to pick on Peter for that as my books have their fair share of screw ups! :) My only beef with the instructions is the fact that the size of the text looks to me to be around 9 or maybe 10 pt in size. It's a little tough on my eyes, so that irritated me. That being said, the information and workings is well done overall.

ANGLES: This can be done surrounded, providing no one is looking straight down onto the tray. This is not a close-up trick, but it would work very well for a parlor performance providing the audience is not right o top of you. I did it for 200 kids and it's very visible. My prop came with two purple silks which really isn't as visible as I would like as I wear dark clothes and I'm standing behind the prop. The color of silk varies from set to set, so if you wind up with dark colors, simply swap them out for brighter colors. The silks are not gimmicked, so that's not an issue.

MARKET: To me this is primarily a kids' effect, for young kids up to maybe 8 or 9 years old. It might play great for older kids, but I feel comfortable reserving it for the little ones.

DIFFICULTY OF PERFORMANCE: Although this is close to a "push button" prop, you'll still need to put in some serious rehearsal time. The technical needs of the effect is not great but timing is a bit of an issue as you'll be doing one thing with your right hand and something else with your left and the timing of each must be very smooth for the effect to look as magical as Peter makes it look on his demo video. I'd say the technical needs are basically a 1, but to really make it look magical, I spent about an hour a day for 10 days really smoothing this out.

EFFECT ON AUDIENCE: This really is a stunner. The first time I did it for a group of 200 or so kids, they just sat there, baffled. For the second performance, I altered my script and built up the effect so the kids were expecting it as it happens so fast. After the second show, a repeat client, who had seen my show about two weeks prior, noticed the addition of this effect and specifically sought out to tell me how impossible it was. In short, it got a great response.

MORE THOUGHTS: Peter has great customer service! During rehearsals, I was having trouble with the prop and a few minutes after emailing him, he emailed back with a solution. (Turns out I wasn't setting it up quite right.) I LOVE great customer service!

FINAL VERDICT: What can I say? This plays well for small or large groups, can be done surrounded and is well-made. It's not a show-closer, but I don't think it's meant to be. I'll give this a rock-solid 9.

NEXT WEEK: Bill Abbott's Celebrity Smart Ass! Stay tuned!

Best,

Cris Johnson

Superior Hydrostatic Glass

Hi Everyone!

To my readers who live in the US, I hope your Turkey Day was fun, restful and enjoyable. To my friends in other parts of the world who do not celebrate Thanksgiving, I STILL hope your day was fun, restful and enjoyable.:)

Obviously I am a few days late with this blog. In short, being sick for nearly two months straight and traveling all over the east coast of the US all that time really knocked me on my butt, so I hot the couch and gave myself some R&R. (I spent it watching my new DVDs of "The Greatest American Hero," a 3 season TV series from the early 80's. REALLY fun re-visiting my childhood!)

The new issue of "Cause & Effects" my free monthly ezine, should go out on schedule, on or about December 1st. Those of you who recently signed up have been added. You can sign up by emailing me at crisjohnsoninfo@verizon.net. This month I tackle the "too-perfect theory" in mentalism and why, for the most part, I think it's rubbish. It's an opinion piece, sure to spark debate.:)

On to this week's review...The Superior Hydrostatic Glass. It's available for $52.50 from Hocus Pocus. Here's the link to the ad: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=4633

EFFECT: You pour water (or any liquid) into a glass. You then cover the glass with a piece of paper and turn the glass upside down. The paper stays in place, so the liquid doesn't fall. Then you slide the paper off and it STILL stays in place! At your command, or an audience member's command, the liquid falls out.

WHAT YOU GET: You get the glass itself (packed in a sturdy cardboard box), the gimmick (packed into an envelope to prevent scratching)and details instructions, as in 4 pages' worth.

QUALITY OF EQUIPMENT: When I bought this, I told the folks at Hocus Pocus I wanted something good, not a 'toy' out of a children's magic set. This is the one they recommended. On the Hocus Pocus site, there are several versions - one for around $12 and even one for several hundred dollars. I feel for the money I spent this is extremely well built. The glass is sturdy and looks like a natural, normal solid glass you'd pick up in any department store. It's also a GOOD glass, not cheap looking. The gimmick is well made and fits the glass very well and is easy to 'load.' Rock-solid.

QUALITY OF INSTRUCTION: As I said, there are several pages of instructions, detailing care for the props, how the effect works, performance tips, trouble-shooting tips, alternate performance tips and more. There really is not any advice as far as scripting or presentation, so you're on your own. I however had a script already in place when I bought it.:) Good, basic info that more than covers the handling.

DIFFICULTY: Technically, this is an easy effect - a 1 out of 10. The real key to remember is prop management: where are you going to hide the gimmick until it comes into play? For that matter, where are you going to keep the glass and liquid until it's time for this effect? Most critically, where are you going to 'catch' the liquid? (If you do it at your main performance table, some splashing may dampen or even soak your other props.) What I'm getting at is while the effect may be easy, because it involves liquid, blocking and prop management becomes extremely important as well as your script.

MARKETS: Thus far, I've only performed this in schools, for kids in grades K-5. That being said, not only do the kids like it, but when the liquid is finally 'released,' it always generates spontaneous applause from the adults. My feeling is this will play well to adults as well.

ONE SORE SPOT: Because of the method, there is a small bit of 'talking' as you put the gimmick in place with the glass. For me on stage, this is no big deal because I'm talking the entire time (except when I remove the paper - gotta play that part for drama!) If you are a silent performer, you'll need some music to cover this 'talking' especially if you perform this in close quarters. I always use it on stage, so for me, no big deal.

ANGLES: You really can't do this surrounded because of the nature of the gimmick, but I will say that once the gimmick is in place, all angles are covered, so the enterprising performer may be able to pull off a surrounded performance. The angles are VERY forgiving, and besides, as I've often said, if I'm doing a stage show surrounded, I must be in hell.:)

EFFECT ON AUDIENCE: As mentioned earlier, I know this effect (and this version) has been around forever. In fact, I had a cheesy version in an old magic set that was horrible looking. I never really thought it was much of an effect until I had a critical need for a good water effect in one of my shows in schools. Well, after performing it 8 or so times for crowds of people from 200-400 strong, I can say it KILLS. I now understand why so many pros use a version of this effect in their shows!

MY OVERALL RANKING: Based on the solid workmanship and the great reaction it generates, I have to give this a 10 out of 10. If you work out the issues I mentioned above, this is a winner and a heck of a value.

Until next time...

Cris

Multiplicity DVD and Yet Another TASTE Update

Hey Everybody,

Cris Johnson here with more magic review goodness! I'm going to be quick because I've only got a short amount of time between shows today. Busy, busy, busy!

First of all, I'm doing something today that I don't think I've ever done - I am revising my score for a product! As the title of this week's blog suggests, it's for Bobby Motta's TASTE.

When I first reviewed it, I believe I gave it a 9 out of 10. I felt that the product was put together extremely well and from a technical standpoint it was sensational. I also wrote that while my response to the effect was quite good, I anticipated the response getting even better over time.

Well, after tweaking my script slightly, the response went through the ROOF! I can now safely say TASTE is a perfect 10 out of 10. You see, it's so easy to just judge a product by the package you receive, but I decided when I started this blog nearly a year ago I decided that the audience reaction for the effect would factor into the score.

Why?

Simple - Certain effects that look great or have cool props have (for me) sometimes fallen flat. Now I know that one man's trash is another man's treasure, which is why reviews are tricky. Nevertheless, I feel very comfortable bumping up TASTE's score to a 10 out of 10. One of the BEST releases of the year, bar none.

Now, onto this week's new review...Multiplicity by Max maven. It's available for $71.95 from Hocus Pocus. Here’s the ad copy:http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=14285

EFFECT: The main thrust of this DVD is exploring the concept of Equivoque, although other mentalism tools are explored, such as the concept of multiple outs.

WHAT YOU RECEIVE: You get one DVD that they manged to cram over 3 hours onto – quite a feat! Interestly, there is a small ‘effect’ right on the back of the DVD package. Simply turn the package over, read it, and you’re instantly introduced to Max’s thinking. It’s not earth-shattering, but it’s nice that someone used the DVD case in a unique way.

QUALITY OF INSTRUCTION: It’s Max Maven so you know the instruction is top-notch. There are something like 24 effects on this DVD and almost all are practical and many can be adapted for stage or used for close up.

DIFFICULTY: There are few technical moves on this DVD. (A few, and they’re easy) The real work is going to come from your scripting and making sure you have rehearsed enough so that when using equivoque you don’t hesitate between choices. This is a concept Max spends a lot of time on.

MY THOUGHTS: Overall, this is a marvelous release. An added bonus is the presence of special guest Eugene Burger, whom I adore. I had the privilege of meeting Eugene years ago in Chicago and in my opinion, there’s no one classier than Eugene.
The effects themselves use objects and concepts like coins, famous paintings, clocks, and many more. My particular favorite was the routine in which the spectator is asked to name off several children’s songs. The person then picks one of the songs and Max plays the song on one of those little portable recorders that hold 30 seconds or so of sound.
This is a sensational idea and I immediately began thinking of ways to adapt it to stage. I should note that in this particular piece, Max does not explain one important component that makes this effect work. However, my experience in mentalism immediately gave me the solution to fill in the rest of the secret. I admit, I felt pretty proud of myself when this hit me.

Of the majority of effects using just equivoque for the solution, Max teaches some fascinating, advanced concepts regarding equivoque and then plays several routines, including the aforementioned song effect. Max himself states he deliberately did not teach each individual effect by itself, instead asking that viewers study each effect and apply what Max has given us.

Fair enough – it makes for great viewing and many of the routines show off Max’s quirky sense of humor, something that I feel was missing in some of his earlier (yet still marvelous) L&L releases). I found myself laughing out loud as Max used handcuffs in an equivoque presentation in which he handcuffs the participant! GREAT stuff, and if I was going to use any routine “straight out of the box,” that would be it.

Another high point is an effect in which Max places four cards in a spectator’s pocket and the spectator says the number 1, 2, 3 or 4 and that many cards has LEFT his pocket. A similar effect is demoed on the ad. This one fooled me badly the first 3 times I watched it.

Max really takes the concept of the audience only knowing what they see and nudging their thoughts in certain directions bit by bit using fascinating psychology.

The only gripe I have is the fact that Max does NOT explain the sensational Handout effect, viewable on the demo in which Eugene chooses a bad that does not have a brick in it. I don’t need to go further than that, as I know from reading on line that many people were most excited by this presentation. After watching it, I can be sure of at least one thing – Max is not using equivoque, as his language suggests no discernable ‘out’ before Eugene makes his choice.

This aspect of the DVD has caused some debate. Some have felt that Max has given us enough tools in the DVD to piece together a method for the Handout effect while others, such as myself, felt disappointment that this effect was used to market the DVD for sale without a “Performance Only” notation.

Regardless, this is a fantastic release that forces viewers to really think about their craft and Max, Eugene and Jeff McBride and others of their ilk are the best at doing just that.

MY REVIEW: It’s Max maven…along with a laughing, giggling Eugene Burger! How could I not give this a 10 out of 10? I didn’t describe every effect because there’s just so much, but trust me, buy this DVD and you’ll find something to add to your act. And you’ll get some great food for thought.

Until next time…

Cris Johnson

The End by Bobby Motta

Hey Everyone,

Well, after 3 weeks I FINALLY feel better! It's been rough being sick so much, but I've been home all week, bonding with our new little puppy, Sophie. She is SO cute! A little white puff ball, essentially.:)

Don't forget - my next issue of "Cause & Effects," the FREE ezine, comes out in December where I tackle the 'too-perfect theory' in mentalism. Sign up for free by sending an email to crisjohnsoninfo@verizon.net.

On to this week's review...

It's The End by Bobby Motta. It's $695 and available from Hocus Pocus. Here's the link to the ad copy: http://www.hocus-pocus.com/magicshop/inc/product_detail.cfm?item=13070

EFFECT: An attractive metal frame with 6 metal 'cards' is displayed. The cards are in an order that does not spell anything recognizable. The cards are removed and then the board is spun around on the stand. After it's spun around, the audience sees numbers 1 through 6, and the audience is asked to choose which card goes into which number...with the cards' letters turned around, facing away from the audience, of course.

Despite the fact that the audience simply guessed which letter went into which number, when the board is soun around, it spells THE END, signifying the end of your show.

WHAT YOU RECEIVE: The main aluminum board, the six metal letter cards, the stand, a carrying bag for the stand, and DVD instructions.

QUALITY OF PROPS: This is a GREAT looking piece! Lightweight yet durable, this thing looks like a million bucks. My only beef? As I took it on the road for a few days of shows, 4 screws came loose and fell out. (I found and replaced all but one.) This irritated me, but in the grand scheme of things, it's forgiveable. The big thing is this prop looks great on stage and while props do not make the show, a good looking show can certainly help.

QUALITY OF INSTRUCTION: Bobby always gives good instruction and he gives some good tips and presentation ideas to help the performer. The thing that I didn't care for was his idea of spreading the effect throughout the show and revealing the climax at the end. That's just me, and fortunately, there are several ways to present such an effect. As always, while Bobby's DVD production value does not match Bob Kohler or L&L, it's still really good.

DIFFICULTY: This is another effect where the technical needs are an easy 1 out of 10 in terms of difficulty, but the fact that the 'move' does 'talk,' which Bobby acknowledges, makes this effect a bit more difficult in that you must time the 'move' with another innocent 'move.' No big deal and for me, a few days of practice and I was set.

MY THOUGHTS: OK, first of all, when I first saw the effect hit the market, I thought, 'great, just what the magic community needs - a $700 version of the Spelling Bee effect.' If you're familiar with the old Spelling Bee effect, you know that you must turn the board away from the audience before you remove the board. Then I watched the THE END demo and I noticed that you can take away the cards FACING the audience and THEN spin the board around. It's a tremendous improvement over the classic effect and it's what convinced me to buy it.

As my readers know, I do a lot of middle & high school shows. For the past year, I've been using Bobby Motta's ALIVE (the rat effect) to end those teen shows. From an impact standpoint, it was and is AMAZING, but to end the show with the rat scurrying up my arm and the kids "wowing" over the animal seemed too abrupt. I want to bring the energy level down a bit to let the audience "breathe." Enter...THE END.

I've performed it 5 times and it serves nicely as an end to the show because it is a definite end to the show, but thus far, it does not blow the audience away. It's good, don't get me wrong, but it's another effect that really requires a good presentation...in other words, you can't rest on the prop itself. It's a tool and if used properly, will work nicely.

MY FINAL VERDICT: I'll give this a 8 out of 10. A nicely built effect, but the screws falling out brings the score down and the (so far) muted reaction means I have more work to do and that's okay with me.

Tune in next week when I review the new Max Maven DVD "Multiplicity."

Best,

Cris

TASTE by Bobby Motta

Hey Everybody,

Cris Johnson here with a brand new review! Before I get to it, I just received this email regarding my Clear-View Airborne:


Hi Cris.

I just received the Clear View Airborne in the mail last night. I have nothing but praise for what you and your wife Libby have accomplished here. I’ve been performing this effect off and on for quite some time. I’ve used the Coke can, 7-Up can and the Ultimate Airborne (with any bottle.) I experienced all of the frustrations that you described with the preceding gimmicks and I’m delighted to have such a well made prop.

I speak to business audiences 30 – 40 times a year. Wine bottles don’t fit my presentation. The Ultimate Airborne gimmick is so large and visible it practically gives away the secret. The Coke and 7 Up cans are not only difficult to hook up and frustrating to fill, they don’t last very long. (Yours is a bit pricey, but I’m betting it will outlast the cans by 2 or 3 times.)

I love the Airborne effect and now that I have yours, It’s going back in to the line-up on a regular basis.

Thought you’d like to know.

That was from John Tongick, a CPA out of California. thanks John!

the Clear-View Airborne magazine ad is in this month's Magic magazine and I think Hocus Pocus did a GREAT job!!

On to this week's review:

TASTE by Bobby Motta - available for $1495.00 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/inc/product_detail.cfm?item=13942

EFFECT: Five ordinary cups are filled with different drinks. The performer can either be blindfolded or in a different room and will always know which drink has been TASTEd. Stop reading and think about that for a second. Yes it's that amazing. You are reading senses so convincingly clean that it no longer is a puzzle, but a question of uncertainty to any skeptic. This effect will take you there! More than just a great mind reading tool but a totally unique approach to mentalism.

WHAT YOU RECEIVE:

5 customized black steins/cups (much nicer design than the ones used in the video performance).
ProMystic Modular Receiver
Industrial finger suction cup to access the secured gimmick
5 professionally cut circular dry erase labels with Velcro
Dry Erase Marker
Full Instructional DVD with performance rights
Modern Carrying Case

QUALITY OF PROPS: The electronics are top-notch and are small and easily hidden. The cup units are removeable so you can wash the cups, but once in place, I don't think anyone will ever find them. They are designed to be invisible. The receiver (that lets you know which cup is being drank from) is tiny. You could easily palm it if you want. Bobby gives you several ways to conceal it, but it's so little, that a myriad of possibilities are there.

The receiver works like a dream - again, REALLY well-made. The cups themselves are nothing special...just 5 plastic 'mug' type cups with a little velcro to hold the white, round signs to identify the drinks. Mine came a little scuffed up, but being black, it's not a big deal. Although initially disappointed, I realized that fancy cups would detract from the effect.

the carrying case is top notch. I'm always impressed when a product comes with a case. It's a great way to transport everything and protect the investment.

QUALITY OF INSTRUCTION: there are actually two sets of instructions - one by Bobby and one by the creator of the electronics. Both are required viewing, as Bobby's way of 'installing' the electronics to the cups each use was much easier than what the electronics guy talked about, yet the electronics guy covered critical info on batteries, maintenance and details on how the electronics work.

Plus, Bobby gives you several ideas as far as routining, so you're not just saying, "Drink something and I'll tell you what it is." Of course, the fact that the dryerase signs are removeable serves as a great way to end the routine as well as throw off the illogic of having the drinks poured out of the original containers.

Details like this convince me that Bobby's been doing this routine for quite a while.

DIFFICULTY: This is easily a 1 out of 10. The hardest part is the set up and the memory of which signal signifies which drink. Although Bobby talks about using mnemonics to remember the drinks that an audience freely chooses and puts in the cups, I've (for now) opted to go with the same 5 drinks (provided by me) at every show (as Bobby himself usually does it.)

Again, the true "work" will be your scripting and routine.


MY THOUGHTS: I do have to say I was initially disappointed that there is NO performance video. Bobby included one such video on the ALIVE DVD (his stellar rat trick). I'm not sure why he did not include such a video, as it would have been very helpful in terms of pacing and routine structure. Of course, it's his right to protect his own routine, but it would have been helpful.

Nevertheless, the routine for me does play quite strong. After quite a bit of rehearsal with the props, I put together a simple 3-phase routine and have performed it 5 times thus far and I'm pleased to report it plays very strongly. I'm a firm believer that performance #5 of a new effect will not NEARLY be as good as performance #100, so I'm sure the reactions will get better.

I only mention this as a warning...the props do 98% of the physical work, so solid scripting is crucial here.

As a comparison, the Mind Reading Goose, at the same fee, gives you a rock-solid, scripted routine, a good goose prop and a not-so-hot method (messy set up), while this investment gives you INCREDIBLE props and some decent ideas of routining, but no scripting at all. Both are worthy investments, but are in many ways exact opposites in terms of what their respective strengths are.

Again, both are great, but different. Just something I noticed.

PLAYS TO AGES: As further endorsement of this purchase, I bought it primarily for my middle school shows...grades 6-8. These kids do not respond to most traditional magic (they like animals, but if you pull out a silk routine, you'll more than likely get booed off the stage. Conversey, many times this age group does not have the patience for a lot of traditional mentalism. Case in point: Bob Cassidy's 4th Dimentional Telepathy. SENSATIONAL routine, but all that envelope stuffing would die in front of middle schoolers.

I bought TASTE with the idea that it was so direct and so impossible that it would work for this difficult age group. Thus far, I'm right.:)

What does all this mean for you? I think ages 12 and up (college, teens, adults) will love this. I think a family audience with lots of little kids might not be appropriate because a 6 year old will not understand "mind reading."

MY RATING: I give this a rock-solid 9 out of 10. I think in time for me it will be a 10, but I've got to fine-tune my routine. The props are incredibly well-made and in my opinion, it's a great investment.

Next week, I tackle Bobby Motta's THE END.

Until next time...

Cris

White Star & Voodoo Doll

Hey Everyone,

A very SICK Cris Johnson here with more reviews. Yes, I wrote "sick." I guess it comes from being around so many sick people - I've been bombarded with shows (that's good) but since I'm in the north east part of the USA, everyone in schools is sick...including me. (Not good)

Quick housekeeping... the latest issue of "Cause & Effects" goes out next week. I just finished writing it and I have to say I am THRILLED! Good stuff, even if I do say so myself! It's all about show disasters and how to handle them. Sign up TODAY by emailing me at crisjohnsoninfo@verizon.net.

On to the reviews!

Two reviews and both are SPPPOOOOOKKYY in honor of Halloween! Item number one is the Okito Voodoo Doll! It's only $10 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/inc/product_detail.cfm?item=59

EFFECT: A small straw doll is placed in your palm. Eerily, the doll rises to a standing position! No threads or magnets. Ready to go all the time - zero set up.

WHAT YOU RECEIVE: You receive the doll itself which is gimmicked, along with sparse written instructions.

QUALITY OF PROP: Although it's made of straw, this little guy is pretty tough. I've been using mine for 7 years. Treat it right - I keep mine in a small wooden box, which serves to enhance the mystery as well as protect the prop.

QUALITY OF INSTRUCTION: As I said, the instructions are sparse but serviceable. Nothing fancy, and in terms of routines, you'll need to do this on your own.

DIFFICULTY: This is maybe a 1 or a 2 out of 10. This is not difficult technically, but this is a small bit of pain involved....nothing much, but you've been warned. You'll also need a bit of misdirection for the "get ready" that allows you to perform this.

MY THOUGHTS: I still remember the first time I saw this performed. I was completely blown away and years later, I was delighted to find it online and buy one for myself. I love this prop.

Again, you really need to work out a routine for it to do it justice, but this close-up levitation can be done in full light at a moment's notice. What's not to love?

I'm not much of a close-up guy, but this has been a staple in my close-up act for years. (I tip the entire routine in one of my "Cause & Effects" books available right here at Hocus Pocus....shameless plug!)

I wholeheartedly recommend this. A 10 out of 10...providing you have a strong routine.

Review #2 is White Star by Jim Critchlow. It's available for $59.95 from Hocus Pocus. The link is here: http://www.hocus-pocus.com/magicshop/inc/product_detail.cfm?item=10854

EFFECT: The performer is seated at a table opposite two volunteers. The performer places a small article in front of each person, such as an old coin and an old fountain pen (these are to act as ‘markers').

The performer now takes out from his wallet, a small packet of old photographs which he quickly thumbs through as he mentions to the volunteers that they may recognize some of these as they have appeared in books or programs about the Titanic as they were all passengers on that ill fated liner. The packet is squared and turning to the first volunteer, the performer says that he is going to show him/her the photographs one at a time and if they feel somehow drawn to some, they should tell him and they will be placed in front of them and their 'marker'.

The performer shows the photographs, one by one to the volunteers, who either decides to take one and place it on the pile forming in front of them or reject it. The rejected photographs forming a discard pile in the center of the table.

'Look at this young lady please, what emotions do you think she is feeling.....'

When all the photographs have been chosen to be kept or rejected, the performer brings attention to the discard pile. Thumbing through the photographs the performer starts talking about specific photos (the person's name etc) stressing how absolutely any of the photos could have been retained by the volunteers.

The performer explains that what they have both just done was part of an experiment. He also explains that he has found that the best results only occur when nothing is explained beforehand and that the results are always different (quite true to a point).

The performer then states that the old coin was taken from one of the bodies found in the wreckage of the Titanic and the fountain pen was used by a clerk to write out the list of all the survivors. The person with the coin is asked to turn their photographs over and in doing so they see each photograph has printed on its back, the name of the person, a few details about them and that they DIED! The spectator holding the fountain pen turns their photographs over and sees the similar details but all their photographs have SURVIVED printed on them! The discarded pile is turned over and shown that there is a complete mix, in no sequence of both the DIED and SURVIVED photographs!

WHAT YOU RECEIVE: You get the beautifully produced photos as well as the well-produced 21-page instruction booklet which explains the basic effect as well as several offshoots. Jim clearly loves this plot.

Although the presentation mentions using 'markers' like an old coin and an old pen, they are not included. It's important to be clear about this.

QUALITY: This is first class stuff and intended for professional performers, as evidenced by the quality. First rate, all the way.

DIFFICULTY: Here's the great part: the primary Whitestar effect is dead-easy, which allows you to concentrate on your presentation. There's been a lot of marketed effects advertised as 'easy so you can concentrate on your presentation,' and this one REALLY fits the bill. Interestingly, it's even easier than the 'Out of This World" original effect upon which this is based.

What's nice about this version is the fact that there is no switching of the packets, as in "Out of This World." That, to me, is the biggest selling point in terms of method.

The difficulty from a technical standpoint is 1 out of 10. The neat thing is, although good acting skills will enhance the routine (as in any good effect) here the storyline is so strong that the effect, if presented as Jim does, really carries itself. That to me is a great selling point. I personally reject most 'Bizarre' type effects because I don't have the acting chops to do the effects justice.

Here, any competent performer would probably get a good reaction because of the subject matter. (Notice I said competent!!)

MY THOUGHTS: I bought this effect for a specific show I'm putting together for teens and as such I've been recently looking at a number of unusual effects I normally would not be considering. This was recommended to me by a friend, and after hearing the description, I was less than thrilled. I've never been a fan of "Out of This World." Not because it wasn't a good effect...quite the opposite - it's a GREAT effect, but in my closeup work, I NEVER have the kind of table space for this kind of effect.

Also, because it's a card effect, I feel it would not play as well from stage because the 'action' and revelation is on the table. So, from a visibility standpoint, for me, "Out of This World" fails miserably.

With Whitestar, the subject matter is always topical - The public's fascination with the Titanic seems to be neverending.

My whole point in bringing all of this up is to let me you know, dear reader, that I'm not a fan of table tricks like this.

Then, I was able to see a video of my friend performing this. It floored me, and for the life of me, I could not figure the method out and my friend refused to tip it, insisting that if I wanted it, I should buy it.

I'm glad I saw it performed first, because once I learned the secret, I was delighted and very impressed with the working. I suspect that buyers, upon learning the secret before seeing it performed, would be disappointed. My advice is to NOT give into those feelings! This PLAYS well.

OTHER VERSIONS: As I mentioned earlier, Jim seems to have a fascination with this plot as he offers other variations in the booklet. Each is good in it's own right. I personally prefer the main Whitestar effect, but it's nice to have alternatives.

MY FINAL VERDICT: I'm going to give this a rock-solid 8 out of 10. This plays very strong even though it's not my usual cup of tea. I'd rate it higher, but the sorting process brings it down a bit for me. Don't get me wrong, the sorting is incredibly fair and the spectators do indeed have free choices of cards. To me at least, this necessary sorting of cards (the backbone of the presentation) may drag a bit without a superior presentation.

Who knows, maybe after I've mastered this effect, I may come back and revise my rating!

Next week's review will be Bobby Motta's TASTE.

Until next week...

Cris Johnson

Harry Anderson's Improved Needle Thru Arm

Hey everyone!

Cris Johnson here, back with a SPPOOOOOOKKY review! (Yes, the cheesiness continues!)

I'm on limited time (October is CRAZY busy!) so no house keeping this week - other than I'm still taking sign ups for my free ezine, "Cause & Effects," which features articles each month for the professional performer. Sign up today by emailing me at crisjohnsoninfo@verizon.net.

OK, off to this week's "Halloween - themed" review! I'm tackling a REALLY old product, one that's been out forever - Harry Anderson's Improved Needle Thru Arm! It's available for $34.95 from Hocus Pocus and the ad copy is here: http://www.hocus-pocus.com/magicshop/inc/product_detail.cfm?item=625

One quick note: the reason why I love this month's Halloween theme is that it allows me to delve deep into some older products. Just because it's been around for a while doesn't mean it's not still relevant and that's the case with this product.

EFFECT: You show a long needle and shove it into your arm! The spectators can see your skin stretch and then the wound bleeds! To finish, you wipe the stage blood off the wound and show you have no lasting hole in your skin!

WHAT YOU RECEIVE: The needle and bulb (which is removeable to contain stage blood), written instructions and suggestions. The package comes in a sturdy cardboard box to protect the needle.

QUALITY OF PROPS: The needle is very well made and looks great, even up close. Due to the nature of the prop (the needle is hollow) it is somewhat delicate. I've kept mine in the box between performances for about 13 years and my needle still works great.

DIFFICULTY: From a sleight of hand standpoint, I'd rate this around a 1 or 2, but the crucial 'move' needs some serious 'motivation' to cover and unfortunately, the instructions give you ZERO help here. Over time, I've come up with sufficient motivation in my scripting, but be aware that it will require work on your part. This brings me to...

QUALITY OF DIRECTIONS. Eh. It tells you how to do the trick and there are some good tips as far as getting into and out of the effect, but overall, the instructions are rather sparse. Additionally, two 'secret substances' are recommended. The first, which many of you probably know, is found easily. The second is something I was never able to find. Granted, I never tried the Internet, but initially, no such luck. I'd rate the instructions as a 5.

MARKETS: Do I even need to mention this? Adults or teens ONLY, please! I only perform this effect once or twice per year, usually at a night time teen event and ONLY after I clear it with my client first. This is NOT something to break out for 99% of gigs out there, ESPECIALLY in this PC era!

OVERALL THOUGHTS: Despite the lack of decent instructions and despite the lack of me being able to find the second 'substance,' I still like this effect. It packs a wallup and is something that looks incredible, even up close. I know Harry has put out a deluxe version for nearly three times the amount of this, but quite frankly, I don't do the effect enough to warrant spending the money.

This is best as a parlor effect, (maybe 50 people) as from stage, (100+) not everyone would be able to appreciate the illusion.

The funny thing is, if you don't know how it's done, when you first hear the secret, if you're like me, you'll immediately think, 'there's no way that's going to work,' but the fact is, it does! People are blown away by this effect. It looks so real...and disgusting.:)

I'll rate this as an 7 out of 10 - great illusion...one of my all time favorites... hampered only by insufficient instructions and (at the time) my inability to find the necessary 'something' that allows you to clean up the effect and show your arm unmarked at the end of the routine.

Until next time...

Cris Johnson